Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Elisabeth-Louise Vigee-Lebrun
Self-Portrait

ID: 26959

Elisabeth-Louise Vigee-Lebrun Self-Portrait
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Elisabeth-Louise Vigee-Lebrun Self-Portrait


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Elisabeth-Louise Vigee-Lebrun

1755-1842 was a French painter, and is recognized as the most famous woman painter of the eighteenth century. Her style is generally considered Rococo and shows interest in the subject of neoclassical painting. Vigee-Le Brun cannot be considered a purely Neoclassist in that she creates mostly portraits in Neoclassical dress rather than the History painting. In her choice of color and style while serving as the portrait painter to the Queen,   Related Paintings of Elisabeth-Louise Vigee-Lebrun :. | A coast scene with fisherman hauling a boat ashore (mk31) | Study for the picture Formal Session of the State Council. | Portrait of Friedrich Ferdinand von Sachsen-Weimar-Eisenach | Female Nude | Primavera (mk36) |
Related Artists:
Elias Martin
Swedish Painter, 1739-1818,Painter and engraver. After training in his father joinery shop and with the painter Friedrich Schultz (1709-69), he was engaged to design ornamentation for ships of the coastal fleet at Sveaborg (Finland). There he also taught drawing to the son of Field Marshal Count Augustin Ehrensv?rd (1710-72) while himself learning printmaking techniques from the Field Marshal. During this period Martin produced accurate studies of Finland coastal scenery and the Sveaborg fortress (e.g. Stockholm, Nmus.), as well as purely imaginary landscapes based on engravings. In 1766 he went to Paris and with Alexander Roslin help was able to study under Joseph Vernet at the Acad?mie Royale de Peinture et de Sculpture. A direct result of his studies was a View of Paris from the Quay Beneath the Pont Neuf (1766-7; Stockholm, Nmus.).
William Henry Pyne
English Painter, 1769-1843 English painter, illustrator and writer. He trained at the drawing academy of Henry Pars (c. 1733-1806) in London and first exhibited at the Royal Academy in 1790. His drawings were almost always pen, ink and colour wash (e.g. Gossip at the Cottage Door, 1794; London, BM). His most characteristic works are the illustrations for the books Microcosm (1803-8) and The Costume of Great Britain (1808) in which he successfully placed groups of well-observed characters in picturesque settings. Pyne had been a founder of the Old Water-Colour Society in 1804 but resigned in 1809 when it refused to increase its membership to greater than 24 artists.
Friedrich Heinrich Fuger
German Neoclassical Painter, 1751-1818






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